For example, its common for a company to have a new bold cover design for every annual financial report, but the same company would likely use the same folder design for several years. A one-piece report cover is similar to a folder and can be bound together with your documents like a book. Types of Report covers. There are a number of different report covers to choose from. While they all have the ability to make your documents look attractive and neat, they each have different strengths and weaknesses that need to be taken into consideration. One-piece, a report cover made from a single piece of stock, folded in half to protect documents.
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You would never buy a book with no cover — not only would the book be unattractive, youd have no idea what the title was, who wrote it or what it was about. A report cover is a lot like a book cover — it answers the vital questions a reader might have about your documents and keeps them looking professional and enticing. A report cover goes around your important documents to present them in a professional and attractive way. Report covers 101, a report cover is a piece of printed stock that goes over your business ted weakness reports, creating an effect similar to a booklet or pamphlet. Unlike folders or binders, which are meant for storing and organizing multiple documents, these covers focus attention on one set of documents at a time, such as an annual business report or a certificate of appreciation. Report covers allow these special documents to take the spotlight and make a larger impact. They also provide a modicum of protection for your documents so that they are not lost, damaged or misplaced. When to Use report covers, theres a fine line between report covers and other presentation materials like folders and binders, but that doesnt mean they are interchangeable. Binders and folders are best when you want to organize several different categories and subjects, but report covers are better when youre trying to focus on one topic or goal. Binders and folders are designed with multiple aspects of your business in mind, while report covers are more situational and their design may regularly change to reflect that.
One afternoon, victor found himself designing a cuff that he himself would want to wear, and that was the day his eponymous collection was born. While victors work features a breathtaking array of colored gemstones, and while his designs are often driven by his passion for these gifts of nature, his proprietary patina process, which often takes several years to perfect, brand him an accomplished metallurgist. Inspired by the old Aragon world - velyans work is also influenced by architecture, mother music, nature, travel, unique cultures, history, fine art and his Armenian heritage. Victors talent and vision, combined with his well-rounded knowledge of the jewelry industry, have placed him as a true innovator in todays fashion-inspired jewelry world. Will Kahn, even after over a decade of jewelry editing and styling, town countrys Accessories Director, will Kahn, is continually fueled by his discovery of new designers or brands. For Will, one of the most fascinating aspects of his job is the knowledge that he continues to gain through market appointments, press events, international and us-based trade fairs, and simply meeting one-on-one with artists and designers. A big part of Wills job at Town country is coming up with new and interesting ways of showcasing the jewelry that he features. To that end, his extremely popular willsnotbook posts on Instagram are among the most unique to hit social media, and theyre even more compelling because theyre a perfect fusion of Wills incredible sense of style, his irreverent sense of humor and his passion for fine.
The store's tightly curated selection of fine jewelry from designers around the world is an enticing mix of delicate, everyday pieces and statement jewels. She credits her eclectic aesthetic to an upbringing split between her mother's glamorous showgirl life in Las Vegas, and the natural wilderness of the zion National Park, where laura would spend hours hunting for arrowheads and geodes. With Broken English, she has biography created a brand - with stores in Los Angeles, new York, and Newport beach, california - that share one thing: a relaxed, welcoming atmosphere where designers and customers alike feel at home. Victor Velyan, for over 20 years, jewelry designer Victor Velyan has both influenced and inspired those in the fine jewelry industry. Not only does Victors strong work ethic and creativity leave an impression on everyone he meets, it is also creating a whirlwind frenzy around the captivating jewelry in his collections. Victors work boasts careful attention to detail and makes for elegant, timeless pieces with an edgy twist. Victor began his journey in the jewelry industry in 1984 as a diamond setter, and 2 years later he became a jewelers apprentice. Over time, and with un-compromised dedication, victors knowledge of the industry grew, as did his desire to develop and share his vision with others. Victor went on to open a manufacturing shop where his acumen earned over 27 awards under other designers names.
Before joining the robb Report staff, she contributed on jewelry, watches and style to several consumer magazines, including regular columns in Veranda, departures, town country, and New York magazine. She also served as an editorial director and consultant to several luxury ecommerce channels and websites. Jill has written investigative features on the mining industry, which brought her to diamond mines across the African continent, gems mines in Brazil and diamond-cutting workshops in India and Russia. Her work has taken her to the ateliers and backrooms of the top luxury brands, from Tods and Loro piana, to hermes and Berluti. She co-authored the book buying Jewelry and Gems at Auction and has been recognized for her work with the gem Award for Excellence in journalism. She resides in New York city. Laura Freedman, the owner of Broken English, is renowned for her discerning eye for outstanding design and emerging talent.
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He holds a bachelors degree in Psychology from Jacksonville University and a graduate gemology degree from gia in Santa monica. Through his grandfather, who had a chain of stores in the dc area from the 1940s through the 1990s, Adam was literally born into the jewelry business. His parents opened. Gorman in 1981, and while they are still involved, Adam and his sister, nicole, currently run the business. The siblings continually search the globe for unique and previously undiscovered designers that they can introduce to the dc market, and they love following and supporting the trajectory of the careers of the artists that they carry in their store. Adam is truly passionate about the business.
He loves discovering new talent, he is creatively charged by the marketing aspect of his daily life, and, most importantly, he is delighted to be lucky enough to play a part in the most loving moments in peoples lives. Jill resume Newman, jill Newman is the editor of Muse by robb Report, a print and digital forum that engages successful, dynamic women on topics from health and finance to the arts, design, and philanthropy. Jill is also a senior member of Robb Reports editorial team and serves as Editor, Style and New York bureau chief. In this role, she has directed Robb Reports style and jewelry coverage for nearly 15 years and contributes on various topics including watches, culture and travel. Jill manages ms digital style, jewelry and watch coverage and plays a role in facilitating social media. Jill began her career as an editor at Womens wear daily and w magazine where she managed accessories and jewelry content.
Wiener Moderne ; so the fact that an astutely acerbic contemporary American writer of note insists that his polemics hit the nail on the head with respect to Americas cultural malaise, should be substantial food for thought on both sides of the Atlantic. Franzens parallel between Krauss explanation of World War i as happening precisely because we cannot imagine it, and the war in Iraq as a trillion dollar solution to a problem that was not a problem, for example, drives this point home with a vengeance. Stylistic brilliance and moral integrity, the austro-American Germanist Harry zohn once expressed fears that the peculiar form of cultural embeddedness of Kraus work a style based upon tearing apart the moral vacuity of style itself merely on the basis of"tion, especially from the viennese. So it is little wonder that we end up with an unusual, if not strange, text when Jonathan Franzen attempts to do so today. The Kraus Project is a noteworthy effort to come to grips with the late Professor Zohns problem and, indeed, with the problem that preoccupied Kraus throughout his life: that of distinguishing legitimate authority from its dazzling counterfeits. Like wittgenstein, Kraus insisted that the way things get said makes all the difference in distinguishing appearance from reality.
We are indebted to Franzen for a refreshing, much needed, reminder of that. Austro-American philosopher and intellectual historian Allan Janik is Senior Research Fellow of the Brenner Archives at the University of Innsbruck and Honorary Professor of Philosophy at the University of vienna. He is author (with Steven toulmin). The Kraus Project by karl Kraus transl. Jonathan Franzen with assistance and notes from paul reitter and Daniel Kehlmann, farrar, Strauss and Giroux (2013). Categories 2018 Judges, adam Gorman, adam Gorman. Gorman in Washington dc, is a third generation jeweler.
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That became his target in the mammoth play. The last days of Mankind, which was largely composed of direct"s from jingoistic papers. In the texts collected here, the target is the literary penchant for media distortion, namely, cultivation of an intensely personal, subjective style as an end in itself. Kraus traced this tendency back to heinrich heines all-too successful embrace of French literary strategies and models basically foreign to the german language. Johann Nestroy, on the contrary, offered him the example of an author who created a completely original style by simply"ng people on the stage in such a way as to deduce what they in fact want to hide in their assertions. These authors are as far from us as they were present to Kraus, so we need engelsk support in approaching shmoop his polemics about them. In his assault upon heine, kraus actually was attacking the central values of the.
in the area of cultural history today, as I have previously lamented in these pages. Nearly all of the people who write interesting and important works on crucial Austrian figures are foreigners. To understand Austria, ask a foreigner, tvr, august 2012. Maybe that has to. Wittgenstein once claimed that Austrian achievement was subtler than that of others, emphasising that its truth was never on the side of plausibility. Living with that inures you to it; so you probably need an outsider to focus your attention on what is always before your eyes. Fighting the media phantasmagoria, be that as it may, for nearly thirty-five years, Kraus lambasted the medias proclivity to shape the truth according to its whims, rather than straight-forwardly reporting. He alleged that phantasmagoria replaces reality when the media lose sight of its critical, civilising function.
The german text gives readers with competence in the language the opportunity to get a sense of the original. The notes explain many obscure historical and linguistic points, but they are also chock-full of Franzens own ongoing polemics with the academic and commercial literature industry as well. The commentary is a kind of three-way dialogue between literary scholarship writing (Reitter) and two established authors (Franzen and Kehlmann) confronting the problem of translating Kraus. On top of that, the notes provide us with an account of Franzens early life and loves which form the personal context in which his interest in Kraus originated and grew as a young Fulbright student in Berlin during the cold War. Shifting between these themes while reading is no mean trick. Just to make things a tad more trying, the fact that the notes often occur in the first or second line on the page means that readers have to strain their concentration paging back and forth. Furthermore, moving from Krauss diatribes against heines epigones to Franzens plaints about Twitter and Amazon is no less straining. It is easy enough to imagine readers throwing in the towel with a sigh: Is it all worth it? The answer, however, is a resounding, yes!
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Jonathan Franzen explores the dazzling and difficult world of viennas legendary satirist. It has to be an event when a writer who is arguably Americas greatest living novelist (so says the dust jacket blurb) goes to great lengths to present a revered and particularly difficult Austrian good author to an American reading public in a meticulously produced annotated. The result is an unusual and unusually challenging book that merits our attention in vienna as much as in New York. On the face of it, we are presented with five rather neglected texts by karl Kraus on literature and writing. The two central ones bear upon Krauss ostensible nemesis heinrich heine and his own literary model Johann Nestroy. Leading American novelist Jonathan Franzen was smitten early with the work of Der Fackel editor Karl Kraus Illustration: Katharina Klein, a new approach to a difficult writer. However, reading the multi-faceted book turns out to be a challenge itself. Kraus is notoriously difficult for native speakers to read today.